With 31 weights, including small caps, Old style figures, expert characters, and an alternate cap R, Bembo makes an excellent all-purpose font family. The heavier weights impart a look of conservative dependability to advertising and packaging projects. Because of their quiet presence and graceful stability, the lighter weights of Bembo are popular for book typography. The design was first used in the book De Aetna written by. The italic is based on letters cut by the Renaissance scribe Giovanni Tagliente. In 1495, a man by the name of Francesco Griffo who worked cutting letters for Aldus Manutius (an acclaimed typographer, editor, and owner of the Aldine Press in Venice ), created a new serif typeface known today as Bembo. They made a number of changes to the fifteenth-century letters to make the font more adaptable to machine composition. In 1929, Stanley Morison and the design staff at the Monotype Corporation used Griffo's roman as the model for a revival type design named Bembo. This type was designed by Francesco Griffo, a prolific punchcutter who was one of the first to depart from the heavier pen-drawn look of humanist calligraphy to develop the more stylized look we associate with roman types today. In 1496, he used a new roman typeface to print the book de Aetna, a travelogue by the popular writer Pietro Bembo. The origins of Bembo go back to one of the most famous printers of the Italian Renaissance, Aldus Manutius. Bembo font family Designed by Monotype Design Studio in 1929 Francesco Griffo in 1495-1501.
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